Review of "Invisible Film" (USA, 2022)

**Review of "Invisible Film" (USA, 2022)**

"Invisible Film," an experimental short by Kostiantyn Mishchenko, is a unique piece that challenges traditional notions of filmmaking and narrative. Spanning just over three minutes, this film defies conventional storytelling by presenting content that remains perpetually hidden, known only to the director himself.

Mishchenko, who wore multiple hats in the production—serving as the editor, post-production specialist, colorist, re-recording mixer, writer, director, producer, and production designer—crafts a work that exists more as a conceptual art piece than a conventional film. The decision to keep the film's content and conflict a secret at all times is both intriguing and provocative, inviting viewers to engage with the idea of what a film can be.

The 9:16 aspect ratio, typically associated with mobile and social media content, adds another layer of modernity and accessibility to this avant-garde creation. While the film is technically in color, the true "color" of the narrative and its themes are left to the imagination of the audience, which becomes a canvas for individual interpretation.

The use of digital shooting format ensures a crisp and modern aesthetic, although, ironically, the audience is left to imagine the visuals that accompany the unseen story. This invisible approach challenges viewers to consider the unseen and the unknown, making "Invisible Film" a thought-provoking exploration of hidden narratives and the power of the unseen.

In conclusion, "Invisible Film" is an enigmatic and daring project that pushes the boundaries of cinematic art. By withholding its content, Mishchenko invites us to ponder the essence of storytelling and the nature of cinema itself. While it may confound those seeking traditional narrative structure, it will undoubtedly inspire those open to experimental and conceptual art forms.